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Suzan's works are a playful investigation of space, illusion, optical effects and other visual phenomena as part of a broad exploration of visual perception and the limits of beauty. There is an ongoing inquiry into the limits of seduction and repulsion.
The installations, for example, are made from crystal, chrome-plated metal, precious stones, mirrors and optical glass. From a distance, they appear clear and orderly, yet upon closer inspection, the eyes become disoriented by the many details and visual stimuli. That moment, of being able to take it all in or not, is explored, time and time again. The visual perception is challenged, requisitioned and intensified.

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